![]() You might need to use several different products to have the complete toolset found in Exposure alone. ![]() Perspective correction is just one of its many excellent features. I’d recommend trying the above techniques if you already have Exposure X4 or if you are currently using the free trial.Įxposure is one of those products that you can use out of the box and without a long learning curve to take advantage of its robust feature set. I hope these two image examples and the accompanying information about how to use Exposure X4’s Transform tools will help you solve optical distortion issues that you may have when photographing architecture. So I used the X Offset slider to shift the photo to the right for the final composition (Figure 5).įigure 9 – The Metropolitan Museum of Art (final, after editing) Summary However, as Figure 4 shows, the left side of the photo was cut off in a bad spot. I moved the Y Offset slider to the left in order to shift the image upward (eliminating part of the sky) and to view more of the deep blue colored pool in the foreground. After making those adjustments, I finished the image with changes to the Y Offset and the X Offset sliders for positioning the image within the frame. I made a slight adjustment to the Rotate slider to level the image, and changed the Scale slider to fill the frame and eliminate parts of the image that I didn’t want to see. I used the Aspect slider to make the necessary changes to the formations and other parts of the image. Using the Vertical slider can sometimes widen or make some portions of the image taller than they were in the original photo. I made additional minor adjustments using the Transform Panel, as follows: I accounted for this possibility by taking a slightly wider shot when composing the image in the viewfinder. In addition, the Shadow slider “opened up” the image to a more pleasing result.įigure 3 – Image with gridlines after checking the Constrain Crop boxĪs you can see, there’s a small amount of cropping that took place. I also adjusted several sliders to the Basic and Detail panels on the right side of the interface (Figure 1) as I wanted to increase the exposure and adjust the contrast, clarity, and sharpness. I first opened the Presets panel in the left side of the interface and selected the Fujifilm Velvia film simulation, as it adds some punch to the image. I opened the image in Exposure and made some initial edits. As mentioned, this is the type of keystoning that occurs when the camera lens is not perpendicular to the structure and you are looking up to capture the image. You can see in the original image that the buildings are slanting backwards. The original photo had several complex problems to solve, which might normally result in my deleting the image without spending the time to fix it. At the end of the trip, I stayed at a hotel that has man-made versions of those formations circling the pool area. I visited Cappadocia, an area in Turkey that’s known for its interesting and incredibly unique rock formations. I’ll also show the final edits, which include additional stylistic edits that I made in Exposure. The remainder of this article describes how I used Exposure to correct the two images shown above. I discussed Exposure and my workflow in an article for FujiLove’s October 2018 Magazine and in a follow-on website article with my step-by-step Exposure process for the images in the magazine. I use Exposure in my workflow because it processes RAW and JPG files beautifully, has film simulation presets and adjustment sliders, and a feature set that is easy and effective to use. The images shown in this article were captured with my Fujifilm equipment (X100 series, and XPro2). But in general we want to correct it, and this article addresses how we can use Alien Skin Exposure X4 to do so. I should mention that there might be times when we will prefer keystoning for a certain artistic effect. In regards to Eye Candy 6, If you submit a support ticket as mentioned above, and I will do everything I can to get you up and running in Fireworks with Eye Candy 6.Image #2: Metropolitan Museum of Art (Undedited) ![]() I will be posting this same response on the Adobe forum where we initially connected. Again, I apologize for the trouble, and wish there was more we could do to resolve this issue for you. ![]() Just email me at There, I can process your request. I completely understand your frustration, and if you would like a refund, I would be more than happy to process it for you. The plug-in API in Fireworks needs to be updated and improved before Fireworks will work with Eye Candy 7. However plug-in support for Fireworks is not near as good as the plug-in support for Elements. Fireworks and Elements are both Carbon apps. Eye Candy 7 does support the 32-bit Carbon API. When I responded to your initial forum post on the Adobe forums, I was not 100% accurate.
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